Metaphysics and Music Theory

“Nothing” is best represented by zero.

The Universe can be unitized as one thing. Now Divide that one thing up, and see what you get.

Listed below are various interval systems for dividing the Universe.

The Non-Plane:

The 0 (Zero) Plane:’

0: Can imply the allowance of everything but is absence and is often void-like.

The Singularity Plane:

1: Unitizing and establishing a phenomenon or mutiple phenomena as 1 (one) phenomenon.

(The Coding Plane:)

(0 unique encoding value)
(1 unique encoding value)
(2 unique encoding value)

The Essential Plane:

4 Light
1 Space
5 Pressure

The Optical-Fundamental Plane:

1 Space
2 Combination
4 Light
5 Pressure

The Affinity-Construction Plane:

4 Light
1 Space
5 Pressure
2 Detail (or Relativity)
6 Affinity (or Matter)

The Primary-Applicative Plane:

1 Space
2 Relativity
3 Exchange (or Energy or Power)
4 Light
5 Pressure
6 Matter
7 Experience (or Sentience or Observation or Spirit)

The Defining Plane:

1 Space
2 Relativity
3 Power
4 Light
5 Pressure
6 Matter
7 Spirit
8 Electricity
9 Organism

The Emotional Plane
0 is nothing, but not inherently nihilism! 0 doesn’t impede anything from it’s natural state of being. It is transparency, and is very important for altruism and synchronicity.
1 Space is a transparent medium that has a lot of potential. The numbers as consecutive are similar to eahother especiall early on in the sequence like this. In the swirling spectrum of all possibility the concept of 1 being akin to 0 and 2 being akin to 1 is the beginning of a orbic, coil like, swirling model, with tightly wound ends and a wide, more maleable This becomes less and less as the numbers advance.
2 Chaos / Action! / The next medium of existence. Very balanced, for the most part, but kinda of desensitized.
3 Exchange/ Power / Metaphysics / Response / Reflections
4 Light / Intelligence/ Sentient Emotion/ Information / Read
5 Force / not intelligence / Infrastructure/ Media / Imaging
6 Matter/ Bonds / Personalities / Beacons
7 Sentience/ Spirit/ Conscious-Intelligent Essence
8 Organisms/ Robotics/ Conscious-Intelligent Beings and Flow
9 Brains
10 Consciousness Multi-Orbs/ Coils, Spring, Cones, Rods/ Physical Emotions/ Data / Nostalgic memory of phenomena imprinted into matter.

The Practical Plane
1 Space
2 Time/ Chaos
3 Exchange/ Power
4 Light
5 Force
6 Matter/ Bonds
7 Sentience/ Spirit
8 Organisms/ Robotics/ Electricity
9 Radioactivity / Energy
10 Combustion / Heat
11 Absorption / Synthesis
12 Strategy / Organelles

In math, 0(zero) is void-like, absorbing numbers it is divided and multiplied against. It can also be a defining number, that represents a degree of definition via the place values. (See with examples below.)

(In other terms, a 0 (zero) can be an absolute 0 (zero), as in “0/999” (where 0 (zero) is its own number) or a 0 (zero) can be a relative 0 (zero), as in “60 + 1” (where the number which 0 (zero) is apart of is nowhere close to 0 (zero)).

In music, 0(zero) best represents the concept of silence. It could have intervallic value though! Especially if someone made a music system based off of the geometry of a doughnut (donut)!

In metaphysics, nothing facilitates anything, nothing, and everything like nothing does. 0.6 is a numerical representation for a phenomenon that is best described ” absence/allowance that brings matter” whatever phenomenon that might referring to! 60 however would mean “matter that brings absence/allowance.)

When using interval systems to focus in on a phenomena and metaphysically delve into its intervals, set the target phenomenon as 1 (one). However, it is important to remember that a good set of intervals is synchronistic with other sets, and the intervals that should be of an equal plane. 1 really shouldn’t be a phenomenon at a different magnituide of existence than the others.

1 = Person

4 = What They Know

5 = What they Do with

Things Evolve

2 is their sentient life under a microscope, bliss or sadness

3 is the Chaos of their happy and/or hostile mind

6 is their center of gravity and what makes them shiver

7 is their End or their Adaptability, Abyss or transparency,

The numbers are synchronistic intervals of all existence.

Because existence = 1, now divide it up.

1, 2, 3, 4, 7, 10, 12, 14, 16, 20, (and many others) are great for dividing all of existence up.

The Universe operates soley based on what is possible, therefore there is a finite code of what is possible and how it occurs from the simplest compositions of the most basic essences, to the most complex. By tapping into a phenomenon that consists soley of the most basic principles of the universe. People can logistically analyze and cross verify the delineation of existence from singularity, to rebirth, existence as we know it, consciousness, the universe, Earthly existence, society, and so on.

The funny part is that it seems there was recognition of patterns, or observation before anything had the ability of response; response being a primordial niche of creation in of itself.

The planes, are synchronistic sets of coinciding phenomena; stages of the delineating spectrum of all existence. This spectrum spans from the complexity of human notion to the three, most deduced, primordial essences: Space, light, and force.

1 The Ultimate Plane: All the universe and observation of anything outside of the universe

1 The Universe, Everything, The Ammassed One

2 Anti-Matter Plane: Positive & Negative Charge, On/ Off, Dichotomy Itself

4 Light & 5 Force (The Ultimate Dichotomy)
    Light: Low Hz Light, like microwaves cause, eery, dangerous, and re-magnetizing and subsequent torquing of polar and multi-polar molecules. High Hz light changes atomic and quark nature. Both can ionize matter, disoluting bonds, dispersing energy.
    Force: Low Hz Force, like earthquakes, or bass music, contains more SPL and takes more force per area to produce. Low Hz are synchronistic with the light spectrum in their eery slowness. Highs can be made by collapsing the force per area. Harmonics, imaging, and atomic resonance.

3 Fundamental Plane: The three most primordial essences of the universe
1 Space, 4 Light, 5 Force.

4 the Universal Plane: Expanded Essences in Measureable Allocations
1 Space, 2, Movement, 4 Light, 5 Force

12 the Practical Plane: The 12 most practical phenomena of the universe

Singularity = 1/12 = 7/12 =

#4/b5 Combustion

m2 Friction

m6 Heat

m3 Radioactivity

4 Light

1 Space

5 Force

2 Action

6 Matter

3 Power

7 Sentience

#4/b5 Organisms

1 Microbes
2 Bugs
3 Fish
4 Reptiles
5 Birds
6 Mammals
7 Humans

Information is the journey, now what are you trying to achieve.

Music Theory:

Plates, landmarks, places with special alignment to the solar system produce various harmonic imaging phenomenon in the brain.

But Latino Classical Music System is the prime example of using logic beyond the scope of Earthly existence. Tapping into the moods of Earthly existence, bending the perception of speed, and imaging proportions with tempo, and +-tune.

In A=440 Western Tuning’s…

C supports the approximate G of our Earth and all of its unique harmonics well.

D would be a some sort of fixed note, being imposed on G from above.

C feels close to humans, as if it is some sort of mathematical, or emotional center. It might just be very expressive though for the whole illustration process music taps into, considering the multiple harmonic sweet spots of music and instrumentation.

There are many paths, but there’s a lot of synchronicity to find out there.

The Western frequency ratios are especially measuremental, synchronistic, and ultra rational.

These frequency ratios coincide with the modern number system and all of the nature which those numbers can represent.

The Western Frequency Ratios, are the most deduced ratios, and that is why they are so synchronistic They appeal to the combinative pattern of all existence!

Music is all about strategy.

Approximate Colors and Pitch:

The Spectrums do seem to coincide in parallel when tied!

(With C being considered the most “fruitful” note, change if desired.”)

C Green A

C# Mint A#

D Cyan B

D# Teal C

E Blue C#

F Purple D

F# Magenta D#

G Fuschia E

G# Red F

A Orange F#

A# Yellow G

B Pea G#

Strange Math:

60 seems to represent the moon, sunlight, day-night and time on Earth. This number seems to mean “moon phase.”

Circle = 1

Divide 1 by anything

It is like dividing the universe

or anything, for that matter.

12ivide 12 by anything

1 3 5 7 9 10 12 14 16 21 23 25 27 29 30 31

0 2 4 6 8 11 13 15 17 19 20 22 24 26 28 30

1 12 23 34 45 56 67 78 89 98 87 76 65 54 43 32 21 10 1

1 10 12 20 24 30 36 40 48 50 59 60 68 70 76 80 84 90 92

There are phenomenal math concepts which existence seems to utilize

One interesting one:

0/1 as 2/1 as 3/2 as 4/3 as 5/4 as 6/5 as 7/6 as 8/7 as 9/8 as 10/9 as 11/10 as 12/11

So, as we ascend (1/2, 2/3, 3/4), each number is apparently a lot like the last.

This equation also means: There’s nothing then there’s something. Then there’s something else similar to the previous.

What this phenomenon shakes out to be though:

0 is a little like ?

1 is a little like 0

2 is a little like 1

3 is a little like 2

4 is a little like 3

and so on.

At the beginning of the spectrum of sound measured in HZ, there is less room between each note, where as the higher Hz have more values inbetween them at a consistent rate.

The above mathematical phenomenon exists because of the intervals being so close together at the genesis. This phenomena is logistically parallel to how the numbers relate to humanity and all of the universe, since everything is simple and humanity is the most complex phenomenon in the known universe.

0 is nothing until assigned a characteristic. Could be equated to many things though, and used as a mathematical mechanism.

There are parallels between these computational, logistic sciences everywhere.

There are many other mathematical reasoning building methods we can use to navigate this lovely number system humanity has honed in on.

There are many methods of rethinking math which all simply bring us back to how well honed in the modern math system is. How every third whole number decimal place there’s a comma, (or period sometimes!):123,456,789 instead of 1,2345,6789, and instead of saying numbers like ten thousand million or something.

The numbers used are synced up to a very great human, but universal relativity. There are sweet spots in the code where metaphor/metaphysics interconnect with humanity. Numbers are amazingly intuitive. Music and simulation are in another ballpark.

Another strange concept, to bring out the universe in our math system is repeating numbers going that way <—-

They are apparently good at expressing numbers with torque. Oddly enough star models of charting intervals, like the pentagram, would be great at modeling this torque phenomenon while geometric polygons are better for modeling orbs, and synthesizing phenomena.

Remember, these are only a few anomalies of the ways which numbers function!

The numbers and notes of Western Music “tied” together:

C#8 D#10 F#12 G#11 A#9 B7 G5 E3 C1 D2 E3 F4 A6

There are many strategies to this, and ways of organizing their various potentials. It’s like building an algorithm, or formula that can musically send a individual on a journey through the universe in some fashion.

Strange Science:

The more divided a spectrum, the more definition there can be, but without unity there’s less synchronicity. All the action of dense, happening areas cause things to come together much quicker. Things evolve quickly and, then they compress.

Human phenomena, metaphor, and biology intersect with these planes of the universe at many different synchronistic intervals. These are like muscles, wrinkles, or neurons in the fabric of the code of what’s possible in the Universe.

The relative bottlenecking of information on what all is happening around a person, their personal awareness, circumstantially builds concious and/or a subconscious world view, depending on the internalization-behavior complex of the individual.

The advancements of humanity have allotted the whole globe a labyrinth of information readily. Societal compression, equalization, and artful simulation are like in audio engineering there to tame SPL and Harmonic Information.

Music is such a primordial phenomenon itself that it appears to be able to tap into the entire code of what is possible in the Universe.

By using math, and sequencing notes on a piano-roll/MIDI edit section, (used in DAWs for audio engineering),  a person can tap into patterns which visually image phenomenon based on the key, and intervals used.

Using atonal pentatonics, UM/TBM, and basic music theory knowledge, iot is possible to assemble images of what is possible for the chaos of existence to create.

Like predict humans, just articulating a set of notes as arpeggios, and get a very well defined image!

What was observed was a well-defined GORILLA with a cheeky mischievous smile, a SNAKE FACED TORSO and a third eye.

Another observed image was a BRAIN MASHED BIRD MAN.

This was done by simply arpeggiating pentatonics up then back down and moving to the next root, and intuitively oscillating upside down. There are many ways to get results too. They wire across the screen and pre-image what the notes are musically alluding to, and also who is the type of person picking notes at that fact!

The m6, synthesis, or 5.5 has yielded the most amazing results of sequencing and producing pre-images of the code of possibility.

These aren’t low definition images either! There have been, cats, bugs, bats, trees,

Musician-programmers can build ascending and descending arpeggios one after another, moving from root to root and oscilating how tall they want their LFO/wave form. Using MIDI notes in a wave like or waveform like manner in junction with Universal/Talkbox Modes and des, which also simuate LFOs and waveforms, results in not just 3-D imaging but well beyond.

Ascend and descend consistently from root to root, using consistent numbers of note per arp. Always think sychronistic choices before fundamental choices, before practical choices before rational choices, before experimental.

try 7 notes up, then same exact notes down. Move pentatonically, but weave some oter scales in. What would sound just a little too dissonant, works and actually might be perfect conditions to get synchronistic pre-imaging

You want to weave synchronicity and expressionistic harmonic information for this pre imaging phenomenon to really achieve things like the Cheeky Gorilla with a third eye, and snake torso.

It also helps to further recognize what harmonic realms these pre-imaging images utilize, to familiarize onself with these magical phenomena.

Through all the harmonic information, two souls of the code of possibility are overwhelming apparent.

Exciting Male Pine Tree & Passionate Firebreathing Snow Dragon Lady.

Jack & Jill, Read & Response. Incredible!

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Have also been pre-imaged as a TV Head Man whom symbolizes educated media response and then Microphone Mouth Woman who intellipassionately speaks, and ingests/burns Media response

The universe shows many people through audio engineering, the potential for sound to image, and PRE-IMAGE wild phenomena and synchronicity of the universe.

Although the modern theory is that the Moon, Sun, and other planets of the Solar System have to do with the nature of frequency ratios on Earth, these physics concepts, which could vary in another able solar system (for profound life such as seen on Earth), would mainly be crunched, moved, or spaced out differently, but instruments would still be designed in similar fashion, per the laws physics. It may be so that these Western frequency ratios are simply profound to the nature Earth though, but it seems as though Earth is a particularly synchronistic phenomena which is able to express many if not most of the possibilities of the universe.

Using this pre-imaging tactic though, humanity can readily deduce anything that is possible in the universe, even if it had to use different Earthly frequency ratios deduced to appeal to less than Earthy phenomena and particular the possibilities of life in possibly all existence even beyond this universe.

Remember that Earthly existence, planetary existence, and humanity are the more complex phenomena which can be deduced back primordial essences which may even be more primordial than the singularity and indicative of an existence outside of the universe.

Regardless that would be a 3-D existence in comparison to the 4-D existence of this universe. Where as life inside the universe has more definition, and dimension because of the way that complexity delineates, and nuance is explored.

Just as this universe may not be the only one, it would make sense that other universes, at least of the same “species” of this universe, (if that’s a thing in of itself), would be capable of a set amount of possibilities like observable in this one. 

It really seems that the universe must have seen the possibility for synchronistically adapt star-people, (humans), capable of being as sentimentally nuanced as the highest of divine intelligent sentience.  Also that humans are an optimal choice! If there are many universes and attempts to cultivate humanity into the most people they could be, that would explain much of the synchronicity of the Earth, this Solar System, and potentially the whole organism of the universe.

Earth is quite an optimal planet so the phenomena of Earth are probably not just inclusive of many of the possibilities of the whole universe, and maybe even other universe, but is also an optimal skew of what is possible through existence(s).

The Tactics of Evil:

1 Veil of Righteousness, gaslighting
m2 Stereotyping, marking for death
2 Alter-Reality, pulling one over on
m3 Remote War, poisoning
3 Unending Application, cognitive overload
4 Mal-Education, conditioning fake purposes
b5/#4 Ruining Everything, overstimulating
5 Collaborative Bipartisan Corruption, oppression
m6 False Flags, framing
6 Cover-Ups, divisiveness
m7 Vanishing Act, gross negligence
7 The Ethics of Sacrifice, identity-faking