Nothing the phenomenon is best represented by zero.
The Universe can be unitized as one thing. Now Divide that one thing up, and see what you get. That’s Intervallic Metaphysics.
Listed below are various interval systems for dividing the Universe.
The 0 (Zero) Plane:’
0: Can imply the allowance of everything but is absence and is often void-like.
The Singularity Plane:
1: Unitizing and establishing a phenomenon or mutiple phenomena as 1 (one) phenomenon.
(The Coding Plane:)
(0 unique encoding value)
(1 unique encoding value)
(2 unique encoding value)
The Primordial Plane:
The Essential Plane:
The Constructive Plane:
The Applicative Plane:
The Living Plane:
7 Non-Organismal Life
8 Organismal Life
The Plane of Consciousness:
7 Non-Organismal Life
8 Organismal Life
The Practical Plane:
7 Non-Organismal Life
8 Organismal Life
In math, 0(zero) is void-like, absorbing numbers it is divided and multiplied against. It can also be a defining number, that represents a degree of definition via the place values. (See with examples below.)
(In other terms, a 0 (zero) can be an absolute 0 (zero), as in “0/999” (where 0 (zero) is its own number) or a 0 (zero) can be a relative 0 (zero), as in “60 + 1” (where the number which 0 (zero) is apart of is nowhere close to 0 (zero)).
In music, 0(zero) best represents the concept of silence. It could have intervallic value though! Especially if someone made a music system based off of the geometry of a doughnut (donut)!
In metaphysics, nothing facilitates anything, nothing, and everything like nothing does. 0.6 is a numerical representation for a phenomenon that is best described ” absence/allowance that brings matter” whatever phenomenon that might referring to! 60 however would mean “matter that brings absence/allowance.)
When using interval systems to focus in on a phenomena and metaphysically delve into its intervals, set the target phenomenon as 1 (one). However, it is important to remember that a good set of intervals is synchronistic with other sets, and the intervals that should be of an equal plane. 1 really shouldn’t be a phenomenon at a different magnituide of existence than the others.
1 = Person
4 = What They Know
5 = What they Do with
2 is their sentient life under a microscope, bliss or sadness
3 is the Chaos of their happy and/or hostile mind
6 is their center of gravity and what makes them shiver
7 is their End or their Adaptability, Abyss or transparency,
The numbers are synchronistic intervals of all existence.
Because existence = 1, now divide it up.
The Universe operates solely based on what is possible, therefore there is a finite code of what is possible and how it occurs from the simplest compositions of the most basic essences, to the most complex. By tapping into a phenomenon that consists solely of the most basic principles of the universe. People can logistically analyze and cross verify the delineation of existence from singularity, to rebirth, existence as we know it, consciousness, the universe, Earthly existence, society, and so on.
The funny part is that it seems there was recognition of patterns, or observation before anything had the ability of response; response being a primordial niche of creation in of itself, non-organismal life. The first microbes of Earth didn’t appear out of thin air, or did they? Molecules with semi-sentient capabilities based on their natural affinities a repulsions assembled into the first organisms.
Many things can be logically evaluated through intervallic metaphysics:
The Tactics of Evil:
1 Veil of Righteousness, gaslighting
m2 Stereotyping, marking for death
2 Alter-Reality, pulling one over on
m3 Remote War, poisoning
3 Unending Application, cognitive overload
4 Mal-Education, conditioning fake purposes
b5/#4 Ruining Everything, overstimulating
5 Collaborative Bipartisan Corruption, oppression
m6 False Flags, framing
6 Cover-Ups, divisiveness
m7 Vanishing Act, gross negligence
7 The Ethics of Sacrifice, identity-faking
Information is the journey, now what are you trying to achieve.
This logic is easily skewed and abused. It takes an informed vocabulary, strong objectivity, moral intelligence, and keen observations skills to hone in on objective. Interval sets.
Plate Tectonics and Music:
Plates, landmarks, places with special alignment to the solar system produce various harmonic imaging phenomenon in the brain.
But Latino Classical Music System is the prime example of using logic beyond the scope of Earthly existence. Tapping into the moods of Earthly existence, bending the perception of speed, and imaging proportions with tempo, and +-tune.
In A=440 Western Tuning’s…
C supports the approximate G of our Earth and all of its unique harmonics well.
D would be a some sort of fixed note, being imposed on G from above.
C feels close to humans, as if it is some sort of mathematical, or emotional center. It might just be very expressive though for the whole illustration process music taps into, considering the multiple harmonic sweet spots of music and instrumentation.
There are many paths, but there’s a lot of synchronicity to find out there.
The Western frequency ratios are especially measuremental, synchronistic, and ultra rational.
These frequency ratios coincide with the modern number system and all of the nature which those numbers can represent.
The Western Frequency Ratios, are the most deduced ratios, and that is why they are so synchronistic They appeal to the combinative pattern of all existence!
Music is all about strategy.
Approximate Colors and Pitch:
Since music is the mathematical logic of how intervals in nature interact, the following number and interval sequences deeply correlate to the essential pattern of intervallic metaphysics in nature.
6 12 7 1 8 2 9 3 4 10 5 11
4 1 5 2 6 3 7 10 8 11 9 12
1 8 2 9 3 4 10 5 11 6 12 7
These number sequences correlate to the chronological and interrelationship based tendencies of spectrums in nature.
0:1 as 2:1 as 3:2 as 4:3 as 5:4 as 6:5 as 7:6 as 8:7 as 9:8 as 10:9 as 11:10 as 12:11
So, as we ascend (1/2, 2/3, 3/4), each number is apparently a lot like the last.
This is true for the three number sequences above as well, which also represent gradient spectrums. =
Non-gradient spectrums like light, space, and force do not transition into one another. Gradient and non-gradient spectrums also function as high-definition and low-definition spectrums respectively.
The Spectrum of Essentiality:
At the beginning of the spectrum of sound measured in HZ, there is less room between each note, where as the higher Hz have more values in-between them at a consistent rate.
The above mathematical phenomenon exists because of the intervals being so close together at the genesis. This phenomena is logistically parallel to how the numbers relate to humanity and all of the universe, since everything is simple and humanity is the most complex phenomenon in the known universe.
Pre-Imaging Phenomena by Sequencing Arpeggios:
By using math, and sequencing notes on a piano-roll/MIDI edit section, (used in DAWs for audio engineering), a person can tap into patterns which visually image phenomenon based on the key, and intervals used.
Using atonal pentatonics, UM/TBM, and basic music theory knowledge, iot is possible to assemble images of what is possible for the chaos of existence to create.
Like predict humans, just articulating a set of notes as arpeggios, and get a very well defined image!
What was observed was a well-defined GORILLA with a cheeky mischievous smile, a SNAKE FACED TORSO and a third eye.
Another observed image was a BRAIN MASHED BIRD MAN.
This was done by simply arpeggiating pentatonics up then back down and moving to the next root, and intuitively oscillating upside down. There are many ways to get results too. They wire across the screen and pre-image what the notes are musically alluding to, and also who is the type of person picking notes at that fact!
The m6, synthesis, or 5.5 has yielded the most amazing results of sequencing and producing pre-images of the code of possibility.
These aren’t low definition images either! There have been, cats, bugs, bats, trees,
Musician-programmers can build ascending and descending arpeggios one after another, moving from root to root and oscilating how tall they want their LFO/wave form. Using MIDI notes in a wave like or waveform like manner in junction with Universal/Talkbox Modes and des, which also simuate LFOs and waveforms, results in not just 3-D imaging but well beyond.
Ascend and descend consistently from root to root, using consistent numbers of note per arp. Always think sychronistic choices before fundamental choices, before practical choices before rational choices, before experimental.
try 7 notes up, then same exact notes down. Move pentatonically, but weave some oter scales in. What would sound just a little too dissonant, works and actually might be perfect conditions to get synchronistic pre-imaging
You want to weave synchronicity and expressionistic harmonic information for this pre imaging phenomenon to really achieve things like the Cheeky Gorilla with a third eye, and snake torso.
It also helps to further recognize what harmonic realms these pre-imaging images utilize, to familiarize onself with these magical phenomena.
Through all the harmonic information, two souls of the code of possibility are overwhelming apparent.
Exciting Male Pine Tree & Passionate Firebreathing Snow Dragon Lady.
Jack & Jill, Read & Response. Incredible!
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Have also been pre-imaged as a TV Head Man whom symbolizes educated media response and then Microphone Mouth Woman who intellipassionately speaks, and ingests/burns Media response
The universe shows many people through audio engineering, the potential for sound to image, and PRE-IMAGE wild phenomena and synchronicity of the universe.
Although the modern theory is that the Moon, Sun, and other planets of the Solar System have to do with the nature of frequency ratios on Earth, these physics concepts, which could vary in another able solar system (for profound life such as seen on Earth), would mainly be crunched, moved, or spaced out differently, but instruments would still be designed in similar fashion, per the laws physics. It may be so that these Western frequency ratios are simply profound to the nature Earth though, but it seems as though Earth is a particularly synchronistic phenomena which is able to express many if not most of the possibilities of the universe.
Using this pre-imaging tactic though, humanity can readily deduce anything that is possible in the universe, even if it had to use different Earthly frequency ratios deduced to appeal to less than Earthy phenomena and particular the possibilities of life in possibly all existence even beyond this universe.
Remember that Earthly existence, planetary existence, and humanity are the more complex phenomena which can be deduced back primordial essences which may even be more primordial than the singularity and indicative of an existence outside of the universe.
Regardless that would be a 3-D existence in comparison to the 4-D existence of this universe. Where as life inside the universe has more definition, and dimension because of the way that complexity delineates, and nuance is explored.
Just as this universe may not be the only one, it would make sense that other universes, at least of the same “species” of this universe, (if that’s a thing in of itself), would be capable of a set amount of possibilities like observable in this one.
It really seems that the universe must have seen the possibility for synchronistically adapt star-people, (humans), capable of being as sentimentally nuanced as the highest of divine intelligent sentience. Also that humans are an optimal choice! If there are many universes and attempts to cultivate humanity into the most people they could be, that would explain much of the synchronicity of the Earth, this Solar System, and potentially the whole organism of the universe.
Earth is quite an optimal planet so the phenomena of Earth are probably not just inclusive of many of the possibilities of the whole universe, and maybe even other universe, but is also an optimal skew of what is possible through existence(s).
Dividing the typical potentiometer into 12 equidistant intervals.
It feels like you can line up a potentiometer to intervals and notes of the musical scale, and I’m talking like preamps. I’ve been doing it backwards. Going for 8.8 let’s say on this pot spectrum, I go to note 8 steps above C on the chromatic scale and play that note, G#, the m6 relative to C. Then play the note 8 chromatic steps above that which is E, the m6 relative to G#. I go to where at is on this pot dial diagram and try to tune the potentiometer to that G# + E diatone. You’re feeling the electrical flow of the pot.. You just sense it and use your eyes to get to 8.8. You can definitely use the diatonic scale steps as well which means 8 = octave, 9 = the 2nd factor an octave up, and so on. You can also start on other notes than C, the other starting points of the major sequences of dividing spectrums, 4 1 5 2 6…so on, as well as 1 8 2 9 3… & 1 2 3 4 5…
Using the Diatonic scale is cool especially with the 10:8, 11:9, 12:10…so on as well as the 1:8, 2:9, 31:10… so on, complimentary number skews. The ratios make good numbers to sequence together, and they make great decimals for potentiometer intervals and audio engineering. It just works, as crazy as it seems, it just works!
Honing in on potentiometer intervals this way plays with phase in electricity. It results in clear colorations, moods, and even the same tonalities that intervals have! You are honing in on pertinent intervals.