The Universe operates based on a multirational code of possibility. Simple phenomena interact with one another to form more complex phenomena. The code of the spectrum of nature, all of its phenomena and how they interact directly correlates to logic of dividing into intervals the spectrum of sound measured in frequency. Dividing the spectrums of sound as well as nature into pertinent increments both directly correlate to the premise of creating a spectrum of counting numbers that consists of a set of character that repeat and expand in place values as the numbers become larger as well more miniscule and detailed. The Platonic Solids in geometry represent a sphere but with intervals. Each face of a polyhedron also functions as the face of conic interval that represents one fraction of the whole. The numbers of faces of these platonic solids also function as efficient numbers to divide spectrums into pertinent intervals. Just like dividing and multiplying frequencies by two yields the same note, because of a recurring and thus circular characteristic of the spectrum of sound measured in frequency, dividing and multiplying the number of faces each Platonic Solid has yields values that also divide spectrums into pertinent intervals.
Platonic Solid Numbers: 4, 6, 8, 12, 20
Extra-Platonic Numbers: 1, 2, 3, 4, 5, 6, 8, 10, 12, 16, 20, 24, 32, 40, 48, 64, 80, 96, 128
The Practical Plane:
1 = Space
2 = Energy
3 = Combustion
4 = Light
5 = Force
6 = Matter
7 = Gravity
8 = DNA
9 = Vertebrates
10 = Sentience
11 = Innovation
12 = Perfect Society
Philosophers can divide many spectrums into intervals and doing so functions according to subjectivity much like Rorschach test.
1: Generic Fish (Angel Fish)
2: Poison Fish (Puffer Fish)
3: Bottom Feeding Fish (Flounder)
4: Big Fish (Sun Fish)
5: Predatorial Fish (Shark)
6: Land Fish (Walking Fish)
7: Armored Fish (Coelacanths)
The Tactics of Evil:
1 Gaslight, act innocent
m2 Witch Hunt, stereotype
2 Deride, fool
m3 Irradiate, poison
3 Abuse Unendingly, overload
4 Imprison, misdirect
b5/#4 Manipulate Context, undersell
5 Oppress, corruption
m6 Fabricate Reality, frame
6 Wage War, polarize
m7 Negligence, vanish
7 Murder, falsify identity
1 = Person
4 = What They Know
5 = What they Do with
2 is their sentient life under a microscope, bliss or sadness
3 is the Chaos of their happy and/or hostile mind
6 is their center of gravity and what makes them shiver
7 is their End or their Adaptability, Abyss or transparency,
The numbers are synchronistic intervals of all existence.
0 is nothing or the allowance of everything
but everything can sums up as one unit.
Now divide that one unit into everything
Pre-Imaging Phenomena by Sequencing Arpeggios:
By using math, and sequencing notes on a piano-roll/MIDI edit section, (used in DAWs for audio engineering), a person can tap into patterns which visually image phenomenon based on the key, and intervals used.
Using atonal pentatonics, UM/TBM, and basic music theory knowledge, iot is possible to assemble images of what is possible for the chaos of existence to create.
Like predict humans, just articulating a set of notes as arpeggios, and get a very well defined image!
What was observed was a well-defined GORILLA with a cheeky mischievous smile, a SNAKE FACED TORSO and a third eye.
Another observed image was a BRAIN MASHED BIRD MAN.
This was done by simply arpeggiating pentatonics up then back down and moving to the next root, and intuitively oscillating upside down. There are many ways to get results too. They wire across the screen and pre-image what the notes are musically alluding to, and also who is the type of person picking notes at that fact!
The m6, synthesis, or 5.5 has yielded the most amazing results of sequencing and producing pre-images of the code of possibility.
These aren’t low definition images either! There have been, cats, bugs, bats, trees,
Musician-programmers can build ascending and descending arpeggios one after another, moving from root to root and oscilating how tall they want their LFO/wave form. Using MIDI notes in a wave like or waveform like manner in junction with Universal/Talkbox Modes and des, which also simuate LFOs and waveforms, results in not just 3-D imaging but well beyond.
Ascend and descend consistently from root to root, using consistent numbers of note per arp. Always think sychronistic choices before fundamental choices, before practical choices before rational choices, before experimental.
try 7 notes up, then same exact notes down. Move pentatonically, but weave some oter scales in. What would sound just a little too dissonant, works and actually might be perfect conditions to get synchronistic pre-imaging
You want to weave synchronicity and expressionistic harmonic information for this pre imaging phenomenon to really achieve things like the Cheeky Gorilla with a third eye, and snake torso.
It also helps to further recognize what harmonic realms these pre-imaging images utilize, to familiarize onself with these magical phenomena.
Through all the harmonic information, two souls of the code of possibility are overwhelming apparent.
Exciting Male Pine Tree & Passionate Firebreathing Snow Dragon Lady.
Jack & Jill, Read & Response. Incredible!
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Have also been pre-imaged as a TV Head Man whom symbolizes educated media response and then Microphone Mouth Woman who intellipassionately speaks, and ingests/burns Media response
The universe shows many people through audio engineering, the potential for sound to image, and PRE-IMAGE wild phenomena and synchronicity of the universe.
Although the modern theory is that the Moon, Sun, and other planets of the Solar System have to do with the nature of frequency ratios on Earth, these physics concepts, which could vary in another able solar system (for profound life such as seen on Earth), would mainly be crunched, moved, or spaced out differently, but instruments would still be designed in similar fashion, per the laws physics. It may be so that these Western frequency ratios are simply profound to the nature Earth though, but it seems as though Earth is a particularly synchronistic phenomena which is able to express many if not most of the possibilities of the universe.
Using this pre-imaging tactic though, humanity can readily deduce anything that is possible in the universe, even if it had to use different Earthly frequency ratios deduced to appeal to less than Earthy phenomena and particular the possibilities of life in possibly all existence even beyond this universe.
Remember that Earthly existence, planetary existence, and humanity are the more complex phenomena which can be deduced back primordial essences which may even be more primordial than the singularity and indicative of an existence outside of the universe.
Regardless that would be a 3-D existence in comparison to the 4-D existence of this universe. Where as life inside the universe has more definition, and dimension because of the way that complexity delineates, and nuance is explored.
Just as this universe may not be the only one, it would make sense that other universes, at least of the same “species” of this universe, (if that’s a thing in of itself), would be capable of a set amount of possibilities like observable in this one.
It really seems that the universe must have seen the possibility for synchronistically adapt star-people, (humans), capable of being as sentimentally nuanced as the highest of divine intelligent sentience. Also that humans are an optimal choice! If there are many universes and attempts to cultivate humanity into the most people they could be, that would explain much of the synchronicity of the Earth, this Solar System, and potentially the whole organism of the universe.
Earth is quite an optimal planet so the phenomena of Earth are probably not just inclusive of many of the possibilities of the whole universe, and maybe even other universe, but is also an optimal skew of what is possible through existence(s).
Dividing the typical potentiometer into 12 equidistant intervals.
It feels like you can line up a potentiometer to intervals and notes of the musical scale, and I’m talking like preamps. I’ve been doing it backwards. Going for 8.8 let’s say on this pot spectrum, I go to note 8 steps above C on the chromatic scale and play that note, G#, the m6 relative to C. Then play the note 8 chromatic steps above that which is E, the m6 relative to G#. I go to where at is on this pot dial diagram and try to tune the potentiometer to that G# + E diatone. You’re feeling the electrical flow of the pot.. You just sense it and use your eyes to get to 8.8. You can definitely use the diatonic scale steps as well which means 8 = octave, 9 = the 2nd factor an octave up, and so on. You can also start on other notes than C, the other starting points of the major sequences of dividing spectrums, 4 1 5 2 6…so on, as well as 1 8 2 9 3… & 1 2 3 4 5…
Using the Diatonic scale is cool especially with the 10:8, 11:9, 12:10…so on as well as the 1:8, 2:9, 31:10… so on, complimentary number skews. The ratios make good numbers to sequence together, and they make great decimals for potentiometer intervals and audio engineering. It just works, as crazy as it seems, it just works!
Honing in on potentiometer intervals this way plays with phase in electricity. It results in clear colorations, moods, and even the same tonalities that intervals have! You are honing in on pertinent intervals.